Monday, June 01, 2009
Nile FM - English Radio Station
Nile FM has some lovely shows. I enjoy all of them except for the trance/house music on Saturday evenings, because that's one kind of music that I just don't enjoy.
You can also listen to Nile FM online http://www.nilefmonline.com/
There are plenty of Arabic channels on the radio, some play music, some are filled with talk shows and conversations.
There are some channels that play Instrumental Music.
www.soundofsakia.com is another great station
Tuesday, January 22, 2008
Peterson's article on 'Dance Music in Cairo'
Sampling Folklore: The re-popularization of Sufi inshad in Egyptian dance music
By Jennifer Peterson
January, 2008. Beneath the looming limestone precipice that borders the old city of Cairo stands the shrine of Omar Ibn Al-Farid, a 13th century Sufi mystic and poet. Much of his verse is metaphorical love poetry, and, now deemed classic, is most typically recited in the Sufi lyrical genre called inshad. Most poignantly, perhaps, it is performed live at the late-night celebration held annually in Ibn Al-Farid's honor.[1] Revered as a saint since the generation following his decease, Ibn Al-Farid is today venerated with a mulid, or saint festival, held in and around his shrine.[2] [Music Clip 1: Sheikh Yassin Al-Tuhami performs Ibn Al-Farid lyrics live]
Although relatively modest in scale, the mulid of Ibn Al-Farid is a festival much like those held for hundreds of other saints in Egypt, combining spiritually-focused ritual with fairground fun.[3] Pilgrims visit the shrine to pay their respects and make supplications amidst crowds praying, socializing, singing Sufi poetry, eating, and even sleeping in the mosque area. Near the shrine and throughout the festive space, Sufi patrons provide charitable "services" of food, water, hot drinks, and sweets to the public. Outside upon a stage draped in colorful cloth, a professional performer of inshad provides the musical and lyrical setting for dhikr, an emotionally-charged, rhythmic swaying movement whose practice is meant to engender a heightened spiritual state. Dervishes in eccentric dress converge on the mulid space, sometimes sporting ornate canes, flags, and symbolic props such as wooden swords. Families picnic on the pavement and children frolic among the fairground attractions, rambunctiously riding swings and playing at shooting galleys. Youth swagger in their most fashionable clothes, makeshift cafés fill up, and itinerant vendors hawk snacks, toys, party hats, trinkets, and cassette tapes of inshad and other music genres. ..........................................
Its a long article but really interesting and comprehensive.
Read the entire article at Arab Media Society
Monday, April 16, 2007
Flamenca - A Marriage of Spanish and Oriental Music
For the last few months, the only "local" music I've listened to or heard were of the Lebanese Music Video variety, which at its best is comparable to an "Item Number" and at its worst is worse than those Punjabi videos on ETC.
Fortunately this entire imagery associated with local music has been completely replaced by an infinitely superior quality and variety of music. Flamenca Cairo, a group of nine instrumentalists and a vocalist perfomed to a full house at the El Sawy Cultural Center last Friday.
The group was founded by Wael Khedr (who is also the Lead Guitar/Guitar Soloist) in 2003 with traditional Flamenco music and some Latin themes. It was slowly developed to have more oriental flavor with the addition of some oriental instruments. Now, Flamenca has several unique pieces of music where this marriage between flamenco and oriental music is clearly evident.
Amr Darwish plays a mean Electric Violin. The jugalbandis between him and Wael were outstanding.
Raaft Farahat plays an instrument called the Kawla which is an Arabic Flute.
Yamen Abdallah plays the Qanon which sounds like a Santoor - reminiscent of water trickling down a slow waterfall.
Omar El Toudy on Keyboards looked so much like those Senior Masterjis who play the keyboards in desi orchestras. Sameh Ismael and Sherif Kamal are the percussionists, who play a wide variety of instruments some familiar, some not so familiar and some completely tangential like the stool that Sherif was sitting on. Saief Eldawla on the Drums and Moustafa Geuida on Base Guitar completed the instrumental part of the ensemble.
Ahmed Samir intermittently provided vocals to the instrumental pieces. What a voice! Powerful and controlled. Although I could barely understand a word of what he was singing, I could feel the strong emotions and sentiments behind them.
The whole ensemble just blended together so beautifully. It has been a long time since any music has actually touched me. Flamenca's music was moving, it actually spoke to every member of the audience. So the repeated requests for an encore and the standing ovation that followed at the end was no suprise at all.
You can dowload and listen to some of their music on their site. http://www.flamencacairo.com/
Image Sources:These pictures have been taken from the Flamenca website http://www.flamencacairo.com/ and through Google Image Search http://images.google.com/